Review of Georgia Cécile Concert

Sunday 31 May 2026, The Salutation Hotel

by David Smythe

Crowning the jazz weekend at Perth Festival of the Arts, Scottish crossover jazz and soul singer Georgia Cécile gave a lively high energy performance in the Salutation Hotel which delighted and amazed the Festival audience. Although she works with bigger bands, this intimate concert with her trio, including song writing partner Euan Stevenson on electric piano allowed Cécile to showcase some new songs alongside jazz standards.

Shirley Horn’s hit, the upbeat jazzy waltz Big Cities for Me blew away any cobwebs, Cécile a ball of energy bounding onto the stage in her golden sparkly dress and giving a huge sassy performance, Stevenson’s keys sparkling and drummer Max Popp’s driving rhythm infectious. Moonlight in Vermont took the tempo down, Cécile showing she can really get under the skin of a song. A recent song-writing period in America has produced sound new material, the upbeat Show a Bit of Mercy had cool funky sounds from Stevenson, Cécile stylishly moving in a high-spirited performance.  Come Summertime, a slow 4 beat number from her debut 2021 Album ‘Only the Lover Sings’ had a sultry timeless quality, as Cécile explained, all about finding courage to discover oneself. Ellington’s Duke’s Place rounded off the first half with an effervescent Cécile dazzling the crowd with her energetic performance.

A gig featuring new songs can feel as if it is a try-out session, but Cécile’s recent numbers were delivered with such conviction and passion that they felt truly lived in. 1950s Tie about what happens when your partner is up to no good was full of devilment, Cécile grabbing the mic from the stand and completely owning the stage against hard driving backing. Around my Heart was more reflective, Stevenson’s piano decorating the vocal lines, Cécile making the new sound old as Popp’s imaginative drums and Ferg Ireland’s moody  double bass added atmosphere. Magnolia was a slow waltz about two magnolia trees blossoming for three short weeks a year, but the best fun was her Swim Swim Swim blues: what do you do with a snake in the grass agent, who ‘knew Quincy Jones’ and who steals your money? You write a song about it, and boy, did Cécile have steam coming out of her ears as the band rocked it mercilessly, the ‘man in the hat’ not forgiven.  Santa Monica Mantra was a sunny bossa nova, Cécile egging the crowd on with her ‘know that you are loved’ call and response.

Georgia Cecile Georgia Cecile

Changing gear right down with Ewan MacColl’s song The First Time I Ever Saw Your Face into the playlist was finely judged, Cécile pulling it off, holding the long notes in thoughtful duet with Stevenson, his elegant playing capturing the piece perfectly. Elvis’ hit They Remind me too Much of You also had Cécile in reflective mood, Stevenson’s bubbling accompaniment adding atmosphere.

We will remember this performance for Cécile’s total stage presence, her grasp on getting songs across, her lively dancing movement, her vocal delivery and range and how to work an audience. It was a treat to hear her with a lively trio in a club-like setting as bigger venues will surely beckon. Her sign off with her own This is Love, had us singing along as if we had known it for years, the band pushing it forwards with driving funky rhythms. What a night!